DOCUMENTARIES
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'Borrowed Time'
- A Geezer and a Blonde Prods. Prod. Alexa Morris Dir. Alan G. Parker 'It Was Fifty Years Ago Today! The Beatles Sgt. Pepper & Beyond' - A Geezer and a Blonde Prods. Prod. Alexa Morris Dir. Alan G. Parker Link to the promo: https://madeinwonderland.arriwebgate.com/en/directlink/23683eb37977e758 |
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'Wisdom Keepers - Uncle Max Harrison' - Eye-cue Films
Dir. Benjamin Johns
Prod. Konstantin Pavlidis
Dir. Benjamin Johns
Prod. Konstantin Pavlidis
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'The David Essex Story' - A Geezer and a Blonde Prods.
Prod. Alexa Morris Dir. Alan G. Parker |
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'Not my Circus, Not my Monkeys' - A Geezer and a Blonde Prods.
The genius of US Comedian George Carlin
Dir. Alan G. Parker
Prod. Alexa Morris
'Horizon: Foetal Attraction' - BBC.
Dir. Teresa Hunt
Dir. Teresa Hunt
'The Last Exodus' - BBC.
Dir. John Jeremy
Dir. John Jeremy
Golden Globe winner for Best Factual Documentary
'Arena: From an Immigrant's Notebook' - BBC.
Dir. Tristram Powell
'Omnibus: Malcolm Morley' - BBC.
Prod. Alan Yentob
Dir. Mike Mortimer
'Omnibus: Battle of the Merezoites' - BBC.
Dir. Teresa Hunt
'Doctors' Dilemmas' - BBC.
Prod. Deborah Cadbury
Dir. Ian Duncan
'Everyman: The Search for El Dorado' BBC.
Dir. John Paul Davidson
'Horizon: Camelford' - BBC.
Dir. Teresa Hunt
'Reputations: R.A.Butler' - BBC.
Dir. Carol Owen
'Q.E.D.: Spontaneous Human Combustion' - BBC.
Dir. Teresa Hunt
Dir. Tristram Powell
'Omnibus: Malcolm Morley' - BBC.
Prod. Alan Yentob
Dir. Mike Mortimer
'Omnibus: Battle of the Merezoites' - BBC.
Dir. Teresa Hunt
'Doctors' Dilemmas' - BBC.
Prod. Deborah Cadbury
Dir. Ian Duncan
'Everyman: The Search for El Dorado' BBC.
Dir. John Paul Davidson
'Horizon: Camelford' - BBC.
Dir. Teresa Hunt
'Reputations: R.A.Butler' - BBC.
Dir. Carol Owen
'Q.E.D.: Spontaneous Human Combustion' - BBC.
Dir. Teresa Hunt
'A Sense of Place: The Fens' - BBC.
Dir. Geoff Haydon
Dir. Geoff Haydon
BAFTA award - best sound editing. 1987 - I worked myself into the ground doing the sound editing whilst completing the fine cut and ended up sleepwalking from exhaustion. Spud Murphy recorded some brilliant location sounds and Tony Anscombe mixed the tracks with his usual sensitivity but I felt the role of Dubbing Editor had been
ignored - 40% of the sound effects were created by myself in a dubbing theatre. So I
complained to BAFTA, they agreed an injustice had been made, and from that time on the best Sound Category includes the Dubbing Mixer, Sound Recordist and the Dubbing Editors.